I’m proud and delighted that I have a truly diverse range of clients who entrust me with their video requirements, here are some of them:
University of East Anglia
Standard Gas
Norfolk County Council
COP26
East Anglian Air Ambulance
FleixTog
Tyseley Energy Park, Birmingham
University of Cambridge
Ipswich Town FC
Great Yarmouth Borough Council
My core client base spans Norwich, Ipswich, Bury St Edmunds, King’s Lynn, Great Yarmouth, Lowestoft, Cambridge and London — covering Norfolk, Suffolk, Essex, Cambridgeshire and the wider East Anglia and South East region.
I also travel further afield across the UK, including Birmingham, Manchester, Newcastle and Cardiff.
I’m a professional videographer who publicly publish my full videographer rate card.
It includes separate pricing for filming, aerial drone and editing, along with video production.
Once your video has been edited and refined, I’ll upload it to my online collaborative review player. When you’d like a change, simply add a comment there — it’s sent straight through to my edit suite in real time.
For full video productions where I’ve handled the pre-planning, revisions are unlimited.
Good video content is concise, but still gets the full message across. I’ve written a dedicated blog post on getting the length right — read it here.
Personally, I’d say this is a big no; Video needs context.
Video by its nature needs a narrative to drive your message you want. If you watch any TV commercial, there is always a clear narrative.
Music can set the tone, and the mood of a video sequence, but it can’t convey messages.
You can read more on my blog post.
This is where my ‘Miro-Agency’ approach comes into play.
I collaborate with very best, trusted UK video professionals for assets like advanced motion graphics and voiceovers.
My clients receive high quality work, top support, along with freelancer rates.
I have £10 million public liability insurance for land filming and £1 million public liability insurance aerial drone filming, along with £120,000 professional indemnity insurance for your video production project protection.
I also supply RAMS for every project.
Ask any IT professional, long term storage of data- and it’s up-keep – is time consuming and costly. With this in mind, I don’t over promise on the length of time I store their video files.
My standard video data retention policy is:
Rushes – the camera files
Kept for three months – after final delivery of your video edit or, if using my freelance filming service, after the shoot date.
Master edited files
Kept for three months – after final delivery of your video edit.
If I don’t hear from you after the first edit, all data will be deleted 12 months after delivery.
By request, I can, and often do, store projects on a longer basis. Get in touch to discuss your bespoke requirements.
The method of recording video footage has changes hughly over recent years. Video footage is now video data.
If it’s not in three places – it doesn’t exist.
That’s a saying throughout the IT community.
I work to this rule for every video production project I take on for my clients.
FilmingI film with the very best media from reputable brands and where technology allows, I dual record if possible when recording.
Ingestion of video filesI transfer the record media via specialist replication software to check the transfer process is a perfect copy.
StorageYour video data is backed up on a further two HDD. With storage in a Safe that is fire, and water-proof.
My video files are of very high quality. If you have trouble playing them in you NLE software, please use the ‘proxies’ files included. Proxies are low resolution, duplicate files, that are much easier to play and edit – and will not affect the final output.
I film everything in 25fps, unless otherwise told.
Blackmagic Pyxis & Blackmagic Cinema Camera
: 6kBRAW // 6k // Bitrate Q5 // 12 Bit // 25 fps // PAL // 16:9Open
Gate is a free option if needed
DJI Air 3S
4K / 25-60 fpsH265,Colour space: D-LogPhoto: jpeg or RAW | 50mp
Avata 2 drone
4K // 130Mbs // 16:9
AudioIf the filming had dialogue recorded, I would use either 4 or 2 track audio. If you cannot hear very-high quality, clear audio, please check you are listening to the correct audio track.
